Most people agree that Edgar Allan Poe wrote Annabel downwind about his gone wife, Virginia Clemm, who died of terabit two years earlier. Some critics, however, contend that in the ordinal line of the numbers he states, I was a kidskin and she was a child, and he certainly was no child in 1836 at twenty-seven when he married his thirteen-year-old bride. Maybe the form is about an earlier love, or perhaps it is purely fictional, single when addressing Annabel Lee as his life and [his] bride in line xxxviii and writing it two years after his beloved immature wifes finish, it is seems logical that it is indeed written about her and is simply embellished with a bit of poetic license. In this poem, Poe writes primarily with a conspiracy of iambic and anapestic feet, alternating between tetra measuring rod and trimeter. The word chilling, however, is permitted in both places it is used, lines fifteen and twenty-five, to retain its jarring trochaic meter ( unity upset syl lable followed by an unstressed syllable). This is done about probably to practice the provoking effect of that meter; the death of the speakers loved one disturbs the rhythm of the poem and startles the reader. End hoar in the poem alternates lines with a few variations and bears little moment; the repeated rime words are: Lee, sea, me, and we.
In Annabel Lee the speaker argues in lines 11 and twelve that the angels were jealous of the clever couple: the winged seraphs of promised land coveted her and me. The envious angels, he insists, caused the wind to chill his bride and live under ones skin stimulat e of her life. However, he contends, their l! ove, stronger than the love of the older or wiser couples, can neer be conquered: And neither the angles in heaven above, Nor the demons down... If you want to get a full essay, order it on our website:
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